Akai MPC X
banks to map your samples across. Of 
course, you still have the 
indispensable ‘note repeat’ feature for 
quickly entering multiple events, and 
also the 16-Levels function for 
mapping sounds chromatically, by 
level, fi lter, decay and more. The only 
real downside to the X’s hardware is 
lack of battery power. A rechargeable 
battery here would have made the 
MPC X fully self-contained like the 
MPC Live. However, Akai tell us they 
opted not to include one in order to 
keep the unit’s cost, size and weight 
down, which seems fair enough. 
The MPC X is designed as a fully 
self-contained solution both live and 
in the studio – the idea is that it can 
replace your DAW as the hub of your 
setup. It can sequence samples 
residing internally and sequence MIDI 
hardware via the 2-in/4-out MIDI 
interface (like hardware MPCs of old), 
plus it now does audio warping, beat 
matching and clip launching. You can 
record external audio/instruments (at 
16-/24-bit quality) directly to the SD 
your own SDHC, internal SSD or an 
external USB drive. Once the MPC X 
is in controller mode and detected by 
your computer, these drives will show 
up on your desktop.
The tiltable, multi-gesture 
10-inch touchscreen is a great size, 
and works very smoothly. It’s very 
fast and responsive, and anyone used 
to using a tablet or smartphone will 
feel at home very quickly; this helps 
you get to grips with the deep 
functionality pretty quickly. It also 
features a multiposition stand which 
snaps closed against the back of 
the screen (so you can also use it 
fl at), and when not in use, there’s 
card or connected hard drive(s) via its 
built-in 4-in/8-out audio interface (via 
the great-sounding dual mic pres/line/
phono inputs), and the MPC X also fi res 
CV/Gate out over its eight minijack outs. 
You can also install your own SSD 
drive into the large SATA bay on the 
underside, or connect external drives 
and peripherals to the 2 USB-A ports. 
However, be aware that the MPC X’s 
internal drive (which comes with 
10GB of content) isn’t readible by 
your computer. To move any of your 
content created on the MPC X 
between the hardware and MPC 2.0 
(running within your DAW), you fi rst 
need to save that content onto either 
 USES FOR MPC X 
 In the studio you can use MPC X instead of your DAW and audio/MIDI interface for 
tracking and recording. Of course, you can still use it like an older hardware MPC for 
sampling and internal/external sequencing (of MIDI hardware), but now you can also use it 
as an eight-stereo-track hard disk recorder for capturing ideas quickly without switching on 
your computer (which is very liberating)! You can then combine this audio recording 
capability with your sampled beats, sequences and clips, whilst simultaneously triggering 
external MIDI and CV/Gate-equipped instruments, all without even entering controller 
mode! Once you’re happy, simply drop your audio and sequences into a song and arrange 
and mix within the MPC, 
then save your project to 
any connected drive and 
import into your DAW using 
the MPC DAW VST/AU 
plugin software for further 
tweaking/refi ning/mixing. 
Once you’ve mixed your 
tune(s), you can then 
export stems, or turn your 
audio tracks into shorter 
clips or samples for 
triggering from the pads. If 
you’re sick or wary of using 
computers on stage, then 
MPC X is a very viable 
alternative which is easy to 
travel with too. 
THE ALTERNATIVES
 Akai MPC Live  
 £999 
 MPC Live runs the 
same software as 
MPC X but has a 
more stripped back 
hardware interface 
(smaller screen, 
fewer Q-links and 
more limited 
connectivity). Battery 
power is a big bonus! 
 www.akaipro.com 
 Elektron Analog 
RYTM MKII  £1499 
 The upcoming RYTM 
MKII promises to be 
a great machine with 
several solid 
improvements over 
the MK1 including 
better encoders, 
bigger pads and 
screen and improved 
workfl ow, plus it now 
samples too. 
 www.elektron.se 
 Pioneer Toraiz 
SP-16   £1389 
 The SP-16 is a very 
well-built machine 
offering a great-
sounding sampler 
paired with pads, 
step sequencer, 
eight outputs, 
effects and Dave 
Smith’s excellent 
analogue fi lter. 
 www.pioneerdj.com 
The MPC X is designed as a 
fully self-contained solution 
both live and in the studio
Reviews | Akai Professional MPC X
80
FMU323.rev_akai.indd 80 9/6/17 3:36 PM




