Specifications

26
The Right Packaging for Every Structurix Film
NIF (Non Interleaved Films)
This is the most economical way to buy
sheet lm. The intrinsic lm quality is the
same as that of pre-packed lm. Sheets of
lm are packed per 100 (except extremely
large sizes) in a paalpo bag inside a
cardboard box. The paalpo bags allow for
easy lm removal and re-closure.
FW (Folder Wrapped)
Each lm is wrapped in a paper folder to
prevent handling faults in the darkroom.
The paper folders make it easy to store
and protect the lms after processing.
Folder wrapped packaging is an ideal
solution for boxes that, after opening,
remain in use for a period of time in areas
of high humidity and temperature, as the
folder prevents the lms from sticking
together. Sheets of lm are packed per
100 in a sealed bag and placed in a strong
cardboard box.
ROLLS IN DARKROOM PACKAGING
BLR (Bulk Load Roll)
BLR is packaging with bare lm on a
cardboard core. This lm can be cut to
any length and loaded with or without
lead screens in reloadable cassettes in the
darkroom. Available in a standard width of
70 mm and in lengths of 167.75 m (550 ft.)
and 305 m (1,000 ft.).
TAILOR MADE PACKAGING
In addition to our standard products,
special orders are available. These can
include non-standard sheet sizes
and other forms of packaging, such as Bi
and Tri Packs. For special orders, please
contact your Agfa agent. Bipack is an ETE
daylight packaging containing two lms.
Tripack contains three lms in one
envelope. Combinations with lead screens
are possible. Bipacks can also be supplied
in DW ROLLPAC packaging.
SHEET FILM IN DARKROOM PACKAGING
These lms are for use with reloadable
metal or plastic cassettes and exposure
holders. The high level of darkroom
lighting tolerated by Structurix D lms
allows more comfortable loading and
unloading conditions.
Because of its low cost, darkroom
packaging appears to be the most
economical solution for certain
applications. However, the total
radiography cost must be considered. For
example, lm handling costs in the
darkroom and the cost of reshoots are
important factors in guring your
investment. The added expense of
cassettes and screens should also be
taken into consideration. Local conditions
must be considered and, most
importantly, the cost of quality (the “you
get what you pay for” theory). Simply put,
low cost does not always equate to your
best decision or best value. VACUPAC
image quality cannot be obtained with the
standard cassette system.