Operation Manual

198

USING ILLUSTRATOR

Painting

Last updated 11/8/2011

• As you create your pattern tile, zoom in on the artwork to align elements more accurately, and then zoom out from

the artwork for the final selection.

• The more complex the pattern, the smaller should be the selection used to create it; however, the smaller the

selection (and the pattern tile it creates), the more copies are needed to create the pattern. Thus, a 1-inch-square

tile is more efficient than a 1/4-inch-square tile. If you are creating a simple pattern, you can include multiple copies

of the object within the selection intended for the pattern tile.

• To create simple line patterns, layer stroked lines of varying widths and colors, and place an unfilled, unstroked

bounding box behind the lines to create a pattern tile.

• To make an organic or textural pattern appear irregular, vary the tile artwork subtly for a more realistic effect. You

can use the Roughen effect to control variations.

• To ensure smooth tiling, close paths before defining the pattern.

• Enlarge your artwork view and check for flaws before defining a pattern.

• If you draw a bounding box around the artwork, make sure that the box is a rectangle, that it is the backmost object

of the tile, and that it is unfilled and unstroked. To have Illustrator use this bounding box for a brush pattern, make

sure that nothing protrudes from it.

Follow these additional guidelines when creating brush patterns:

• When possible, confine artwork to an unpainted bounding box so that you can control how the pattern tiles.

• Corner tiles must be square and have the same height as side tiles to align properly on the path. If you plan to use

corner tiles with your brush pattern, align objects in the corner tiles horizontally with objects in the side tiles so that

the patterns tile correctly.

• Create special corner effects for brush patterns using corner tiles.