Operation Manual

ManualsBrandsAdobe ManualsSoftwareHandleiding Adobe Audition 3.0

Table Of Contents

Contents
Chapter 1: Getting started
- Installation
- Resources
- New features
  - What’s new
Chapter 2: Digital audio fundamentals
- Understanding sound
- Digitizing audio
Chapter 3: Workflow and workspace
- Workflow
- Viewing, zooming, and navigating audio
- Customizing workspaces
- Managing workspaces
Chapter 4: Setting up Adobe Audition
- Connecting to inputs and outputs
- Setting Adobe Audition preferences
- Managing temporary files
Chapter 5: Importing, recording, and playing audio
- Opening audio files in Edit View
- Opening and adding to sessions in Multitrack View
- Importing with the Files panel
- Importing with Adobe Bridge
- Importing audio from CDs
- Getting ready for recording and playback
- Recording audio
- Playing audio
- Monitoring recording and playback levels
Chapter 6: Editing audio files
- Displaying audio in Edit View
- Selecting audio
- Copying, cutting, pasting, and deleting audio
- Visually fading and changing amplitude
- Working with markers
- Creating and deleting silence
  - Create silence
  - Delete silence
- Inverting and reversing audio
  - Invert a waveform
  - Reverse a waveform
- Generating audio
- Analyzing phase, frequency, and amplitude
- Converting sample types
- Recovery and undo
  - Undo or redo changes
  - Disable or enable the Undo function
Chapter 7: Applying effects
- Shared effects controls
- Applying effects in Edit View
- Applying effects in Multitrack View
- Adding third-party plug-ins
Chapter 8: Effects reference
- Amplitude and compression effects
- Delay and echo effects
- Filter and equalizer effects
- Modulation effects
- Restoration effects
- Reverb effects
- Special effects
- Stereo imagery effects
- Time and pitch manipulation effects
- Multitrack effects
Chapter 9: Mixing multitrack sessions
- Multitrack View overview
- Basic track controls
- Track routing and EQ controls
- Arranging clips
- Editing clips
- Automating mixes
- Synchronizing sessions with ReWire and SMPTE
  - Synchronizing with ReWire
  - Synchronizing with SMTPE
- Setting advanced session properties
Chapter 10: Composing with MIDI
- MIDI sequencing basics
- Importing, recording, and outputting MIDI
- Displaying and editing MIDI
Chapter 11: Loops
- Using loops in Multitrack View
- Creating loops in Edit View
Chapter 12: Working with video
- Working with video applications
  - Edit audio clips from After Effects
  - Link sessions to exported WAV mixdowns
- Importing video and working with video clips
- Previewing video
  - Video panel overview
  - Preview exported video
Chapter 13: Creating surround sound
- Surround sound basics
  - About surround sound
  - Create mixes with the Surround Encoder
- Setting track pan and volume for surround mixes
- Previewing and exporting surround mixes
Chapter 14: Saving and exporting
- Saving and exporting files
- Audio file formats
- Video file formats
- Adding file information
  - Add audio file information
  - Add or edit XMP metadata
Chapter 15: Automating tasks
- Favorites
  - Apply favorites to audio files
  - Create, edit, and organize favorites
- Normalizing groups of files
- Batch processing files
- Scripts
Chapter 16: Building audio CDs
- Assembling CDs
- Writing CDs
  - Set CD device properties
  - Write a CD
Chapter 17: Keyboard shortcuts
- Finding and customizing shortcuts
- Default keyboard shortcuts
Chapter 18: Digital audio glossary
- Common audio terms
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Index
- Numerics
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ADOBE AUDITION 3.0

User Guide

233

Surround Encoder dialog box

A. Track controls B. Waveform display with pan envelopes C. Preview and export controls

See also

“Include a track or bus in a surround mix” on page 233

“Assign a surround panning control” on page 234

“Adjust volume levels for surround mixes” on page 236

“Preview controls for surround mixes” on page 236

“Export a surround mix” on page 238

Setting track pan and volume for surround mixes

Include a track or bus in a surround mix

❖ In the Track List area of the Surround Encoder, click the check box next to the track or bus name.

To access a track that outputs to a bus, send the track to an additional, track-specific bus. (See “Routing audio to

buses, sends, and the Master track” on page 186.)

Including a track in a surround mix

B

C

A