User's Manual
366
ADOBE PHOTOSHOP CS2
User Guide
Retouching and repairing images
The Clone Stamp tool
The Clone Stamp tool takes a sample of an image, which you can then apply over another image or part of the
same image. You can also clone part of one layer over another layer. Each stroke of the tool paints on more of the
sample. The Clone Stamp tool is useful for duplicating an object or removing a defect in an image.
When you use the Clone Stamp tool, you set a sampling point on the area you want to apply over another area. By
selecting Aligned in the options bar, you can reuse the most current sampling point, no matter how many times you
stop and resume painting. When Aligned is deselected, you’ll reuse the same sampled pixels each time you paint.
Because you can use any brush tip with the Clone Stamp tool, you have a lot of control over the size of the area you
c
lone. You can also use opacity and flow settings in the options bar to finesse the way you apply the cloned area. You
cansamplefromone imageand applythe cloneinanother image, as long as both images areinthe same colormode.
Altering an image with the Clone Stamp tool
To use the Clone Stamp tool
.1 Select the Clone Stamp tool
2 Choose a brush tip and set brush options for the blending mode, opacity, and flow in the options bar.
3 Next, determine how you want to align the sampled pixels. Select Aligned in the options bar to sample pixels
continuously, without losing the current sampling point, even if you release the mouse button. Deselect Aligned to
co
ntinue to use the sampled pixels from the initial sampling point each time you stop and resume painting.
4 Select Use All Layers in the options bar to sample data from all visible layers; deselect Use All Layers to sample
only from the active layer.
5 Set the sampling point by positioning the pointer in any open image and Alt-clicking (Windows) or Option-
clicking (Mac OS).
6 Drag over the area of the image you want to correct.
See also
“List of blending modes” on page 487
“Retouching tools gallery” on page 42










