Datasheet
Table Of Contents
- Contents
- Learning feature names
- Top 10 differences you need to understand
- Opening QuarkXPress files
- Creating a new document
- Navigating documents
- Importing text and graphics
- Using native file formats
- Working with tables
- Using creative effects
- Preflight and proofing
- Important techniques
- Exporting PDF files
- Rich, interactive documents
- Supercharging your workflow
- InDesign CS5 resources
- Index

Using native le formats
e old QuarkXPress workow
required you to keep at least two
versions of each graphic le: a
layered, native Photoshop or
Illustrator document as well as a
aened version, usually stored
as a , , or .
InDesign supports these formats,
but also lets you import native ver-
sions. Using the native Photoshop
() and Illustrator (AI) le
formats may signicantly reduce
your le-management overhead,
save disk space, and streamline
your workow.
For example, you can place
les directly into your InDesign
layouts. Aer placing a Photoshop
image into a layout, you can mod-
ify it within InDesign by cropping or
scaling it, or by turning layers and
layer comps on or o.
InDesign preserves transparency
in Photoshop les, including so
edges. No maer what technique
you use—paths, masks, or alpha
channels—InDesign can read, dis-
play, and output the image.
InDesign even lets you place and
separate les that contain 3D
artwork or spot colors, including
duotone images.
You can also control the visibility
of layers when you place -com-
patible Illustrator (AI) les and lay-
ered les.
Select Show Import Options when
placing native les to control how
the les are imported. For example,
when importing an AI or le,
the Import Options dialog box lets
you choose which pages or art-
boards to place, whether to crop
the artwork or include its bleed
area, which layers you want vis-
ible, and whether the background
should be considered transparent
or opaque.
When placing a native le, the
Import Options dialog box lets
you choose which layers or layer
comps to show, whether to apply
an embedded clipping path, which
color prole to apply to the
image, and even which channel to
use as a transparency mask for the
document.
If you’ve selected dierent layers
or layer comps in placed les
in your layouts, be sure to let your
printer know. Some printers at-
ten les as part of their work-
ow, which would not give you the
results you want. Of course, this is
irrelevant if you are sending
les to your printer.
Tip:
IMPORTING INDESIGN FILES
You can import native InDesign (INDD)
documents into other InDesign les,
eliminating the need for an intermedi-
ate PDF le. When you place an INDD
le, InDesign treats it like a layered PDF
document, so you can choose which
page or pages to import, and you can
turn on and o layers. When you pack-
age your document, all placed images
and fonts in the original INDD le are
also collected properly.
26 Adobe InDesign CS5 | Conversion Guide










