User Manual
OCILLATOR
Wavetable •
Selects the current wavetable - each being a unique collection of different waves from which all manner of
different timbres may be achieved.
Formant Shift •
Use this parameter to sweep the pitch of the formants in the wavetable by +/- 64 semitones. The effect is
reminiscent of oscillator ‘sync’, and can be useful for both extreme lead sounds, as well as subtle timbral
variations.
Formant Spread •
By adjusting the spread of the formants, a very complex effect is achieved - something like an unholy alli-
ance between a sub-oscillator and a sync-sweep could be one way of describing it, although the depth of
the effect is highly-dependent on the current value of Formant Shift.
Local Detune •
Use this parameter to achieve the effect of two detuned oscillators an octave apart. Note that this parameter
is most effective when Formant Spread is set to a relatively low value.
Interpolation •
Use this parameter to determine how smoothly the different waves are blended you sweep the index param-
eter.
Semitone •
-48 to +48 semitones: Adjust the pitch of oscillator 1 in semitones. Modulation destination “Osc1 Pitch“.
Key Follow •
-64 to +31, Norm, +33 to +63: How much the pitch of oscillator 1 follows the keyboard (i.e. MIDI note
number). Press both VALUE buttons at the same time for normal tuning (Norm).
Balance •
-64 to +63: Adjusts the relative levels of oscillator 1 and oscillator 2 (including FM), whereby -64 is oscilla-
tor 1 only and +63 is oscillator 2 only. Note that this parameter is mirrored in the oscillator 2 menu.