User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 23. LIVE INSTRUMENT REFERENCE 360
Analog's two LFOs can be used as modulation sources for the oscillators, lters and ampli-
ers. As with the other sections, each LFO has independent parameters.
The LFO 1 and LFO 2 switches in the shell toggle the respective LFO on and off, while the
Rate knob sets the LFO's speed. The switch next to this knob toggles the Rate between
frequency in Hertz and tempo-synced beat divisions.
The Wave chooser in the display selects the waveform for the LFO. The choices are sine,
triangle, rectangle and two types of noise. The rst noise type steps between random values
while the second uses smooth ramps. With Tri or Rect selected, the Width slider allows you
to adjust the pulse width of the waveform. With Tri selected, low Width values shift the
waveform towards an upwards sawtooth, while higher values result in a downward saw. At
50%, the waveform is a perfect triangle. The behavior is similar with the Rect setting. At
50%, the waveform is a perfect square wave, while lower and higher values result in negative
or positive pulses, respectively. Note that Width is disabled when the LFO's waveform is set
to sine or the noise modes.
The Delay slider sets how long it will take for the LFO to start after the note begins, while
Rate sets how long it takes the LFO to reach its full amplitude.
With Retrig enabled, the LFO restarts at the same position in its phase each time a note is
triggered. The Offset slider adjusts the phase of the LFO's waveform.
23.1.8 Global Parameters
Display and Shell
Parameters for the
Global Options.
The Global shell and display parameters adjust how Analog responds to MIDI data, as well
as controls for performance parameters such as vibrato and glide.










