User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 9. TEMPO CONTROL AND WARPING 133
9.3.5 Complex Mode
Complex Mode is a warping method specically designed to accommodate composite
signals that combine the characteristics covered by other Warp Modes; it works well for
warping entire songs, which usually contain beats, tones and textures.
Complex Mode is a rather CPU-intensive function, using approximately ten times the CPU
resources required by the other Warp Modes. As such, you may want to freeze tracks where
Complex Mode is used or record the results as a new clip to use as a substitute.
9.3.6 Complex Pro Mode
Complex Pro Mode uses a variation of the algorithm found in Complex mode, and may offer
even better results (although with an increase in CPU usage.) Like Complex Mode, Complex
Pro works especially well with polyphonic textures or whole songs.
The Formants slider adjusts the extent to which the formants of the sample are compensated
when transposing. At 100%, the original formants will be preserved, which allows for large
changes in transposition while maintaining the sample's original tonal quality. Note that this
slider has no effect if the sample is played back untransposed.
The Envelope slider also inuences the spectral characteristics of the material. The default
setting of 128 should work well for most audio. For very high-pitched samples, you may
have better results with lower Envelope values. Likewise, low-pitched material may sound
better with higher values.
9.3.7 REX Mode
REX Mode differs from the other Warp modes in several ways. Most notably, it is not available
as an option in the Clip View's Sample Box, but is instead enabled automatically when
loading a le in REX format. REX les, associated with the program ReCycle by Propellerhead
Software, contain embedded tempo and timing information and will synchronize to your Set's
tempo just like any other audio le.










