User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 31. MIDI FACT SHEET 504
31.5 Tests and Results
Our procedure for testing the timing of incoming MIDI events is represented in the following
diagram:
MIDI Source
MIDI
Splitter
MIDI-to-Audio
Converter
Live
MIDI Clip
Audio Clip
MIDI Input Test
Conguration.
The output of a MIDI Source (a keyboard or other DAW playing long sequences of random
MIDI events) is fed to a zero-latency hardware MIDI Splitter. One portion of the splitter's
output is recorded into a new MIDI clip in Live. The other portion is fed to a MIDI-to-Audio
Converter. This device converts the electrical signal from the MIDI source into simple audio
noise. Because the device does not interpret the MIDI data, it performs this conversion with
zero-latency. The converter's output is then recorded into a new audio clip in Live. In an
ideal system, each event in the MIDI clip would occur simultaneously with the corresponding
event in the audio clip. Thus the difference in timing between the MIDI and audio events in
the two clips can be measured to determine Live's accuracy.
In order to assess MIDI performance under a variety of conditions, we ran the tests with
three different audio/MIDI combo interfaces at different price points, all from well-known
manufacturers. We will refer to these interfaces as A, B and C. All tests were performed with
a CPU load of approximately 50% on both OS X and Windows machines, at both 44.1 and
96 kHz and at three different audio buffer sizes, for a total of 36 discrete test congurations.
Windows:
Interface A: The maximum jitter was +/- 4 ms, with the majority of the jitter occurring
at +/- 1 ms.
Interface B: For most of the tests, the maximum jitter was +/- 3 or 4 ms. At 96 kHz
and 1024 sample buffer, there were a small number of events with +/- 5 ms of jitter.










