User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 28. SYNCHRONIZATION AND REWIRE 481
resources than running a single program.
28.2.1 Running Live in ReWire Master Mode
The step-by-step procedure for sending MIDI to and receiving audio from a ReW ire slave
program is presented in the routing chapter.
28.2.2 Running Live in ReWire Slave Mode
In ReWire slave mode, Live can both receive MIDI from, but also send audio to the master
application. All of Live's MIDI tracks are accessible to the master application as destinations
for MIDI signals, and all of its audio tracks and MIDI tracks containing instruments are
accessible as audio sources.
If you have not used Live yet, please launch Live so that it can install its ReWire engine in
your system.
Live will run in ReWire slave mode if it detects a running ReWire master application upon
startup. Therefore, always start the ReWire master application rst, and then start Live.
Likewise, you will rst have to quit Live, then the ReWire master application.
Live's operation in ReWire slave mode differs from the usual operation in some regards:
Live will not have direct access to the audio interfaces; audio input/output is handled
by the ReWire master application. No audio input will be available to Live.
The sample rate is determined by the host application rather than by Live.
External synchronization will be disabled (synchronize to the ReWire master application
instead). Live will not send sync or controller messages to the MIDI output. Controlling
Live via MIDI is still possible.
Live will not act as a ReWire master application. For instance, you cannot run Rebirth
as a ReWire slave of Live while Live is running as a ReWire slave of Cubase. You can,
however, run both Live and Rebirth as ReW ire slaves of Cubase at the same time.