User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 419
The Pitch Envelope
The pitch envelope modulates the pitch of the sample over time, as well as of the Modulation
Oscillator, if it is enabled. This is a multi-stage envelope with Initial, Peak, Sustain and End
levels. The time needed to travel between the levels is determined by the Attack, Decay and
Release settings. The values of the envelope parameters can be adjusted via the sliders, or
by dragging the breakpoints in the envelope's display. Clicking on the diamonds between
the breakpoints allows you to adjust the slope of the envelope segments. Positive slope
values cause the envelope to move quickly at the beginning, then slower. Negative slope
values cause the envelope to remain at for longer, then move faster at the end. A slope of
zero is linear; the envelope will move at the same rate throughout the segment.
23.10.6 The Filter/Global Tab
The Filter/Global Tab.
The Filter
Sampler features a polyphonic lter with an optional integrated waveshaper. The Morph
(M12 and M24) and SVF lter types can morph continuously from lowpass to bandpass to
highpass to notch and back to lowpass. Naturally, lter morphs can be automated.
Classic 24 dB lowpass, bandpass and highpass modes are also available, but these cannot
be morphed.
The lter's cutoff frequency can be modulated over time by a dedicated lter envelope,
which works similarly to the envelope in the Pitch/Osc tab.