User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 23. LIVE INSTRUMENT REFERENCE 410
captures an instrument at multiple points within its critical sonic range. This typically means
capturing the instrument at different pitches as well as different levels of emphasis (played
softly, moderately, loudly, etc.). The resulting multisample is a collection of all the individually
recorded sample les.
Sampler is designed to let you approach multisampling on whatever level you like: You can
load and play multisample presets, like those from Ableton's Essential Instrument Collection,
import multisamples from third-party vendors, or create your own multisamples from scratch.
Importing Third-Party Multisamples
To import a third-party multisample, navigate to the le in Live's File Browser and double-
click to import it into the Live Library. (Note that AKAI-formatted CD-ROMs require one
step before this can be done  please see the next section.)
Importing will create new Sampler presets, which you can nd in the Device Browser under
Sampler/Imported. Live automatically brings up the Device Browser to show the new
presets, ready to drag in, sort, rename or delete.
Note that some multisample les will be converted to Instrument Rack presets that contain
several Sampler instances used to emulate the original more accurately.
For all multisample formats except Apple EXS24/GarageBand and Kontakt, Live will import
the actual audio data into the Library, where they will appear as new samples (found under
Samples/Imported). This means the new Sampler presets will work regardless of whether
the original multisample le is still around.
To import Apple EXS24/GarageBand and Kontakt multisamples, Live will create new Sampler
presets that reference the original WAV or AIF les. This means that removing the original
WAV or AIF les will render the new Sampler presets useless. Live's File Manager offers the
option to collect and save these external samples into the Library.
Mounting AKAI Multisample CDs
To import multisamples from AKAI-formatted CD-ROMs, you rst have to mount the CD-
ROM so that Live can see its contents. This is only necessary because the legacy AKAI
CD format cannot be processed by the operating system like standard CD-ROM formats,










