User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 23. LIVE INSTRUMENT REFERENCE 396
adjusted with the Dry/Wet control. With this set to 0%, the shaper and drive parameters are
bypassed.
23.8.6 Global Controls
The global section contains parameters that affect Operator's overall behavior. Additionally,
the global display area provides a comprehensive set of modulation routing controls.
The maximum number of Operator voices (notes) playing simultaneously can be adjusted
with the Voices parameter in the global display. Ideally, one would want to leave this setting
high enough so that no voices would be turned off while playing, however a setting between
6 and 12 is usually more realistic when considering CPU power.
Tip: Some sounds should play monophonically by nature, which means that they should
only use a single voice. (A ute is a good example.) In these cases, you can set Voices to 1.
If Voices is set to 1, another effect occurs: Overlapping voices will be played legato, which
means that the envelopes will not be retriggered from voice to voice, and only pitch will
change.
A global Volume control for the instrument can be found in the global section of the shell,
and a Pan control is located in the global section's display. Pan can be modulated by a
random factor or by note pitch, using the adjacent Rnd and Key controls, respectively.
The center of the global display allows for a wide variety of inter nal MIDI mappings. The
MIDI controllers Velocity, Key, Aftertouch, Pitch Bend and Mod Wheel can be mapped to two
destinations each, with independent modulation intensities set via the Amount sliders. Note
that Time<Key and pitch bend range have xed assignments, although both modulation
sources can still be routed to an additional target. For more information about the available
modulation options, see the complete parameter list.










