User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 330
Period.
Drive determines how much the input signal will be inuenced by the Waveshaper
parameters. Setting Drive to zero will negate the effect entirely.
Lin works together with the Curve and Depth parameters to alter the linear portion of
the shaping curve.
Curve adds mostly third-order harmonics to the input signal.
Damp attens any signal near the grid's origin. It behaves like an ultra-fast noise gate.
Depth controls the amplitude of a sine wave that is superimposed onto the distortion
curve.
Period determines the density of ripples in the superimposed sine wave.
The DC button activates a DC lter at Saturator's input stage. This is mainly useful for
removing DC offsets from audio material that contains them.
Activating the Color button enables two lters. The rst of these, controlled with the Base
control, dictates how much the effect will be reduced or increased for very low frequencies.
The second lter, essentially an equalizer, is used for controlling higher frequencies. It is
shaped with the Freq (cutoff frequency), Width and Depth controls.
The Output control attenuates the level at the device output. When the Soft Clip switch is
activated, Saturator will also apply an instance of its Analog Clip curve to the output.
The Dry/Wet control adjusts the balance between the processed and dry signals. Set it to
100 percent when using Saturator in a return track.
Aliasing can be reduced by enabling Hi-Quality mode, which can be accessed via the
(PC) /
Ctrl
(Mac) context menu. This improves the sound quality, particularly with high
frequency signals, but there is a slight increase in CPU usage.










