User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 19. CLIP ENVELOPES 262
To scroll the display, hold down the
Ctrl
Alt
(PC) /
Alt
(Mac) modier while
dragging.
Pitch is modulated in an additive way. The output of the transposition envelope is simply
added to the Transpose control's value. The result of the modulation is clipped to stay in
the available range (-48..48 semitones in this case).
19.2.3 Muting or Attenuating Notes in a Sample
Click on the Volume quick-chooser to access an audio clip's volume envelope. By drawing
steps in Draw Mode or creating shapes with breakpoints, you can impose an arbitrary volume
shape onto the sample.
Imposing a Volume
Envelope on a Sample.
The volume envelope's output is interpreted as a relative percentage of the clip volume
slider's current value. The result of the clip envelope's modulation can therefore never
exceed the absolute volume setting, but the clip envelope can drag the audible volume
down to silence.
19.2.4 Scrambling Beats
One very creative use of clip envelopes is to modulate the sample offset. Sample offset
modulation makes the most sense for rhythmical samples, and is only available for clips that
are set up to run in the Beats Warp Mode.
Try sample offset modulation with a one-bar drum loop: Make sure Beats Mode is chosen;
in the Envelopes box, choose Clip from the Device chooser and Sample Offset from