User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 18. AUTOMATION AND EDITING ENVELOPES 254
of the track's devices or None to hide the envelope. It also provides you with
an overview of which devices actually have automation by showing an LED next
to their labels. You can make things clearer still by selecting Show Automated
Parameters Only from the bottom of the chooser.
5. The Automation Control chooser selects a control from the device chosen in the
Fades/Device chooser. The labels of automated controls have an LED.
Once an envelope has been selected on the track, several new buttons appear:
6. The button moves the envelope into its own automation lane below the clip.
You can then select another automation parameter from the choosers to view it
simultaneously. If the Fades/Device chooser is set to None, this button will be
hidden.
7. The button hides its respective automation lane. Note that hiding a lane
from view does not deactivate its envelope.
8. If any automation lanes have been created for a given track, you can hide or
show them all by clicking the additional button that appears at the bottom
of the track's title bar.
Clicking (PC) /
Ctrl
(Mac) on a track name or automation lane header opens
a context menu with additional options for viewing envelopes. This context menu also
contains commands to quickly clear all automation envelopes for the track or any of its
devices.
18.4.1 Drawing Envelopes
With Draw Mode enabled, you can click and drag to draw an envelope curve.
The Draw Mode Switch.
To toggle Draw Mode, select the Draw Mode option from the Options menu, click on the
Control Bar's Draw Mode switch, or press
Ctrl
B
(PC) /
B
(Mac).










