User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 242
2 3
1
4
The Chain List in a Drum
Rack.
1. In addition to the standard selectors found on all Racks, Drum Racks have four
additional controls in the view column. From top to bottom, these are the Auto
Select button and toggles for the Input/Output, Send, and Return sections.
2. Input/Output Section. The Receive chooser sets the incoming MIDI note to which
the drum chain will respond. The list shows note names, MIDI note numbers and
standard GM drum equivalents. The Play slider sets the outgoing MIDI note that
will be sent to the devices in the chain. The Choke chooser allows you to set
a chain to one of sixteen choke groups. Any chains that are in the same choke
group will silence the others when triggered. This is useful for choking open
hihats by triggering closed ones, for example. If All Notes is selected in the
Receive chooser, the Play and Choke choosers are disabled  in this case, the
chain simply passes the note that it receives to its devices. The small Preview
button to the left of these choosers res a note into the chain, making it easy to
check your mappings away from a MIDI controller.
3. Mixer Section. In addition to the mixer and Hot-Swap controls found in other
Rack types, Drum Racks also have send sliders. These sliders allow you to set the
amount of post-fader signal sent from each drum chain to any of the available
return chains. Note that send controls are not available until return chains have
been created.
4. Return Chains. A Drum Rack's return chains appear in a separate section at the
bottom of the chain list. Up to six chains of audio effects can be added here,
which are fed by send sliders in each of the drum chains above.
The Audio To chooser in the mixer for return chains allows you to route a return chain's
output to either the main output of the Rack or directly to the return tracks of the Set. In










