User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 231
The Macro Controls are a bank of eight knobs, each capable of addressing any number of
parameters from any devices in a Rack. How you use them is up to you  whether it be
for convenience, by making an important device parameter more accessible; for dening
exotic, multi-parameter morphs of rhythm and timbre; or for constructing a mega-synth,
and hiding it away behind a single customized interface. See Using the Macro Controls for
a detailed explanation of how to do this.
For the greatest degree of expression, try MIDI-mapping the Macro Controls to an external
control surface.
17.2 Creating Racks
Four Rack variants cover the range of Live's devices: Instrument Racks, Drum Racks, Audio
Effect Racks and MIDI Effect Racks. Just as with track types, each kind of Rack has rules
regarding the devices it contains:
MIDI Effect Racks contain only MIDI effects, and can only be placed in MIDI tracks.
Audio Effect Racks contain only audio effects, and can be placed in audio tracks.
They can also be placed in MIDI tracks, as long as they are downstream from an
instrument.
Instrument Racks contain instruments, but can additionally contain both MIDI and
audio effects. In this case, all MIDI effects have to be at the beginning of the Instrument
Rack's device chain, followed by an instrument, and then any audio effects.
Drum Racks are similar to Instrument Racks; they can contain instruments as well as
MIDI and audio effects and their devices must be ordered according to the same signal
ow rules. Drum Racks can also contain up to six return chains of audio effects, with
independent send levels for each chain in the main Rack.
There are different ways to create Racks. A new, empty Rack can be created by dragging a
generic Rack preset (Audio Effect Rack, for example) from the Device Browser into a track.
Devices can then be dropped directly into the Rack's Chain List or Devices view, which are
introduced in the next section.
If a track already has one or more devices that you would like to group into a Rack, then
simply select the title bars of those devices in the Track View, and (PC) /
Ctrl
(Mac)










