User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 12. LAUNCHING CLIPS 158
The Velocity Amount control allows you to adjust the effect of MIDI note velocity on the
clip's volume: If set to zero, there is no inuence; at 100 percent, the softest notes play the
clip silently. For more on playing clips via MIDI, see the respective section.
12.5 Legato Mode
The Legato Mode
Switch.
Suppose you have gathered, in one track, a number of looping clips, and you now want to
toggle among them without losing the sync. For this you could use a large quantization
setting (one bar or greater), however, this might limit your musical expression.
Another option, which works even with quantization turned off, is to engage Legato Mode
for the respective clips. When a clip in Legato Mode is launched, it takes over the play
position from whatever clip was played in that track before. Hence, you can toggle clips at
any moment and rate without ever losing the sync.
Legato Mode is very useful for creating breaks, as you can momentarily play alternative
loops and jump back to what was playing in the track before.
Unless all the clips involved play the same sample (differing by clip settings only), you
might hear dropouts when launching clips in Legato Mode. This happens because you are
unexpectedly jumping to a point in the sample that Live has had no chance to pre-load from
disk in advance. You can remedy this situation by engaging Clip RAM Mode for the clips in
question.
12.6 Follow Actions
Follow Actions allow creating chains of clips that can trigger each other in an orderly or
random way (or both). A clip's Follow Action denes what happens to other clips in the










