User Manual
Table Of Contents
- Welcome to Live
 - First Steps
 - Authorizing Live
 - Live Concepts
 - Managing Files and Sets
- Working with the File Browsers
 - Sample Files
 - MIDI Files
 - Live Clips
 - Live Sets
 - Live Projects
 - The Live Library
 - Locating Missing Samples
 - Collecting External Samples
 - Aggregated Locating and Collecting
 - Finding Unused Samples
 - Packing Projects into Live Packs
 - File Management FAQs
- How Do I Create a Project?
 - How Can I Save Presets Into My Current Project?
 - Can I Work On Multiple Versions of a Set?
 - Where Should I Save My Live Sets?
 - Where Should I Save My Live Clips?
 - Can I Use My Own Folder Structure Within a Project Folder?
 - How Do I Export A Project to the Library and Maintain My Own Folder Structure?
 
 
 - Arrangement View
 - Session View
 - Clip View
 - Tempo Control and Warping
 - Editing MIDI Notes and Velocities
 - Using Grooves
 - Launching Clips
 - Routing and I/O
 - Mixing
 - Recording New Clips
 - Working with Instruments and Effects
 - Instrument, Drum and Effect Racks
 - Automation and Editing Envelopes
 - Clip Envelopes
 - Working with Video
 - Live Audio Effect Reference
- Auto Filter
 - Auto Pan
 - Beat Repeat
 - Chorus
 - Compressor
 - Corpus
 - Dynamic Tube
 - EQ Eight
 - EQ Three
 - Erosion
 - External Audio Effect
 - Filter Delay
 - Flanger
 - Frequency Shifter
 - Gate
 - Grain Delay
 - Limiter
 - Looper
 - Multiband Dynamics
 - Overdrive
 - Phaser
 - Ping Pong Delay
 - Redux
 - Resonators
 - Reverb
 - Saturator
 - Simple Delay
 - Spectrum
 - Utility
 - Vinyl Distortion
 - Vocoder
 
 - Live MIDI Effect Reference
 - Live Instrument Reference
 - Max For Live
 - Sharing Live Sets
 - MIDI and Key Remote Control
 - Using the APC40
 - Synchronization and ReWire
 - Computer Audio Resources and Strategies
 - Audio Fact Sheet
 - MIDI Fact Sheet
 - Live Keyboard Shortcuts
- Showing and Hiding Views
 - Accessing Menus
 - Adjusting Values
 - Browsing
 - Transport
 - Editing
 - Loop Brace and Start/End Markers
 - Session View Commands
 - Arrangement View Commands
 - Commands for Tracks
 - Commands for Breakpoint Envelopes
 - Key/MIDI Map Mode and the Computer MIDI Keyboard
 - Zooming, Display and Selections
 - Clip View Sample Display
 - Clip View MIDI Editor
 - Grid Snapping and Drawing
 - Global Quantization
 - Working with Sets and the Program
 - Working with Plug-Ins and Devices
 - Using the Context Menu
 
 - Index
 
CHAPTER 8. CLIP VIEW 112
8.2.5 Saving Default Clip Settings with the Sample
The Save Default Clip
Button.
The Save Default Clip button saves the current clip's settings with the sample. W ith multiple
clips selected, this button will save them all simultaneously. Once saved, Live will restore
the current clip settings whenever you drop the sample into a Live Set. This is especially
useful with regards to the Warp Markers, which have to be set correctly for Live to play long
les in sync. Note that you can use the Save button without affecting any existing clips;
Save just saves default settings for future clips using this sample.
The clip data becomes part of the analysis le that accompanies the sample.
Note that storing default clip settings with the sample is different from saving the clip as a
Live Clip, which also saves devices and device settings.
8.2.6 High Quality Interpolation
The High Quality Switch.
If the High Quality switch is on, Live uses an advanced sample-rate conversion algorithm
that provides better sound quality at the expense of a higher CPU load. Samples processed
with the Hi-Q algorithm generate less distortion, particularly at high frequencies, when
transposing a sample and/or matching an imported sample's sampling rate to the system's
sampling rate. With this mode enabled, samples can be transposed roughly 19 semitones
in either direction before aliasing is likely to be audible.
Note: As of Live 7, the Hi-Q mode uses an algorithm that produces even smaller audible
artifacts than in previous versions. Although we think this has greatly improved sound
quality, any Sets made in older versions that used Hi-Q mode may now sound different. For










