Specifications

ptg
368
Index
R
R3D (REDCODERAW) files, 309
Radial orientation, 259
radio edits, 104
real-time audio gain adjustment.
see audio gain automation
recording
Record button
Capture tool, 283
Digital Cut tool, 349
Record Deck Time, 350
Record monitor
Clip Name menu, 88–89
in Composer window, 28
timecode display, 91–92
Record Start-Time Options menu, 349
Record tally light
Capture tool, 283
Digital Cut tool, 349
record tracks, 76
recording digital cuts
changing timecode format, 345
preparing sequences, 344–345
process of, 348–351
resampling audio sample rate, 346
types of cuts, 347–348
Rectangle tool, 242
rectangles, creating, 262
red composite signal, 221
RED media
adjusting source settings, 310–311
overview/files and folders, 309
REDCODERAW (R3D) files, 309
reductive trims
defined, 112
using Overwrite Trim, 113
Remove Color Cast button, 231
rendering, 216
Resize - zoom in and out effect, 203
Resize effect, 196
Reverse Animation parameter, 210
Rewind button, 85–86
RGB Parade monitor
making automatic color balance
adjustment and, 228–229
measuring color casts, 221
Ripple Trim
combining with Overwrite Trim, 114
features of, 112–113
Rotate tool, 242
S
safe action box, 242–243
safe title box, 242–243
saturation values
ChromaWheels adjustment of,
232–233
correcting, 221–222
Save Title dialog box, 267
Save to Bin command, 266–267
saving work, 36–37
Scaling parameter, 210
scaling text, 247
Script view, 22
scrubbing audio
with J-K-L navigation, 42
while trimming, 114
SD. see standard-definition (SD)
format
SDI embedded audio, 346–347
segment effects
applying, 184, 195–196
features of, 182
Segment mode
aligning segments to new edit
positions, 81–82
combining, 81
extracting/splicing in segments,
77–79
lifting/overwriting, 80–81
overview, 76–77
practicing skills, 79–80, 84–85
removing segments, 82–83
reordering layers within, 208–209
using Add Edit function, 83
segments, automatic color correc-
tions and, 236
Select Project dialog box, 6
Send Backward/Send to Back
options, 263
Send To feature
creating QuickTime movies,
356–358
DVD Authoring/DVD One-Step
options, 354
exporting directly to DVD,
355–356
overview, 353
using predefined templates,
353–354
Sequence Report, 345
Sequence Time, 350
sequences
consolidating, 306
defined, 4
extracting/lifting material from,
60–61
identifying media relatives of,
334–335
loading in Timeline, 348
locking in bins, 341
making first edit and, 32–33
moving/copying to new bins,
329–330
practicing removing material from,
62–63
preparing for file output, 351–353
preparing for recording, 344–346
sequences, creating
overwriting, 53–55
practicing skills in, 58–59
snapping to edit points, 56–57
splicing, 50–52
using New Sequence command,
50
zooming in/out, 57
sequences, fine-tuning
combining Overwrite Trim/Ripple
Trim, 114
importance of handle, 100–101
with numeric keypad/J-K-L keys,
115
overview, 99
Overwrite Trim for, 113
performing single-roller trim, 112
performing trims, 105–108
practicing slipping/sliding skills,
121–122
practicing trimming skills, 109–111,
116–117
review questions, 122
Ripple Trim for, 112–113
scrubbing audio while trimming,
114
sliding segments, 119–120
slipping segments, 118–119
slipping/sliding shortcuts, 120
trimming process, 104–105
trimming types, 101–104
sequences, outputting
file-based delivery. see file-based
delivery
overview, 343
review questions, 360
tape-based delivery. see tape-
based delivery
using edit decision lists, 359
settings, customizing
configuring Timeline, 171–173
copying/transferring user settings,
161–162
creating multiple versions,
159–160
customizing toolsets, 177–178
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