Specifications
ptg
366
Index
L
lassoing transitions
entering Trim mode by, 105–106
removing multiple transition
effects, 187
layering vs. nesting, 216
leading adjustments, 249–250
Less Detail display option, 173
Lift/Overwrite function
combined with Extract/Splice-in
function, 81
Timeline editing and, 80–81
Light tool, 242
Local, for gradient mapping, 258
locators
adding, 86–88
defined, 79
manipulating, 88
logging clips
batch capturing of, 290–292
from source tapes, 289–290
Logging controls, Digital Cut tool, 349
lower third titles, 271–275
LTC Input option, 294
luma values
broadcast safe, 222, 225
ChromaWheel control based on,
231
manual controls, 226
M
Macintosh Key Code, for special
characters, 255
managing projects/media. see proj-
ect/media management
manual color balance controls, 227
manual edit, digital cut, 348
manual luma controls, 226
manual save, 37
mapping
gradient, 258
menu commands, 168
user-selectable buttons, 165–167
video black/white values, 220
Mark In Time, Deck Controls option,
350
marked segment adjustments,
135–137
Marquee Color Picker, 252–253
Marquee, overview/opening, 240
Marquee title creation
applying color/opacity gradients,
256–257
applying drop shadows, 259
changing object opacity, 256
creating autotitles, 271–275
creating text, 243–244
fading titles, 268
formatting/enhancing text, 247–250
gradient rotation/mapping,
258–259
keying titles over video, 267
Marquee overview, 240
practicing AutoTitler skills, 275
practicing editing/revising skills,
269–271
practicing Marquee techniques,
246
practicing Quick Titles Properties
skills, 260–261
practicing shape skills, 263–265
review questions, 276
revising titles, 268–269
saving titles as .mqp files,
251–252
saving titles to bins, 266–267
selecting text, 244–245
simulating colored glows, 260
using Quick Title Properties win-
dow, 252–253
using safe title/action guidelines,
242–243
using special characters,
254–255
working in Marquee, 241–242
working with shapes, 262–263
master clips
deleting from bins, 336–338
locking in bins, 341
master opacity adjustment, 256
Match Frame function, 94–95
Matches exactly, search criterion, 325
media
file-based. see file-based media
tape-based. see capturing tape-
based media
Media Composer
software/hardware devices, 4–5
starting up process, 5–6
Media Creation settings, 279–280
media files
deleting from bins, 336–338
deleting with Media tool,
338–340
relationship to clips, 4
media management. see project/
media management
Media Offline frame, 336
media relatives, 334–335
Media tool
configuring, 333–334
deleting media files with,
338–340
Media Tool Display dialog box,
339–340
Media Tool view, 318
minus (-) sign
trimming and, 115
typing frame offset and, 93–94
Monitor icon, 208
mono tracks, 76
More Detail display option, 173
motion effects, 182
motion mode indicators, 82
.mov extension, QuickTime, 311–312
movies, QuickTime, 356–358
moving clips, 329
.mqp files, 251–252
multiple columns, 324
multiple criteria, sifting, 326–328
multiple keyframes, 197
multiple-segment selection buttons, 78
multiple transition effects, 187
multiple versions, of settings, 159–160
Mute button
on Audio Mixer tool, 129
monitoring audio and, 44
MXF format
capturing media and, 280
P2 video/audio media files in,
306–307
N
naming
bins, 13–14
clips, while capturing, 288
sequences, 33
subclips, 64
tapes, 286–287
nesting effects
autonesting/changing order, 215
expanded nesting, 214–215
features of, 183
layering/rendering, 216
overview, 212–213
practicing skills, 216–217
simple nesting, 213–214
New Project dialog box, 7
New Sequence command, 50
New Tape dialog box, 286–287
New Title dialog box, 240
non-drop-frame timecode format, 345
nontimecode source, 293–294
normal range of audio levels, 124
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