Specifications
ptg
365
Index
file-based media
AMA workflow, 301–306
importing audio files, 314–315
importing image/video files,
313–314
overview, 299
review questions, 316
traditional import workflow, 300
working with P2 media, 306–307
working with QuickTime media,
311–312
working with RED media,
309–311
working with XDCAM/XDCAM EX
clips, 308
Files of Type menu, 313
Film Dissolve option, 186
Film Fade option, 186
Film view, 318
fine-tuning sequences. see
sequences, fine-tuning
finished work, delivering. see output-
ting sequences
flesh tones
adjusting hue/saturation of,
221–222
adjusting with ChromaWheels,
232–233
adjusting with Vectorscope, 233
folders
creating new, 14–15
hierarchy of, 3–4
opening/closing/moving into
Trash, 15
RED media, 309
removing from Trash, 16
font selection, 247
Foreground parameter, 210
Format tab, in Project window, 10–11
Format view, 318
Frame Offset function, 93–94
Frame view, 20–21
frames
adding/removing. see trimming
seeking, 93
Full Quality setting, 345
Full Screen Playback toolset, 177
G
gain adjustment, audio
adding keyframes, 144–145
adjusting keyframes, 145–146
automation real-time. see audio
gain automation recording
practicing skills with, 148–150
preparing Timeline, 143–144
typical scenarios, 147
gain value, 226
gamma value, 226
Gang button, Audio Mixer tool,
129–131
global adjustments, of audio values,
135–137
glow-like effect, 260
gradient color/opacity, 256–257
gradient mapping, 258
gradient orientation, 258–259
green composite signal, 221
H
Halt button, Digital Cut tool, 349
hamburger menu. see Fast menu
handle
importance of, 100–101
resolving insufficient, 193
hardware, Media Composer, 4–5
high-definition (HD) format
capturing media and, 279
choosing, for project configura-
tion, 278–279
video resolution, 285
horizontal blanking, 210
horizontal effects
changing transition duration/posi-
tion, 191–193
Effect Preview monitor, 190–191
overview, 185
practicing skills, 187–188,
193–195
transition effects from Effect
Palette, 188–189
types of, 182
using Effect mode, 189–190
using Quick Transitions, 185–187
working with segment effects,
195–196
Horizontal orientation, 258
Horizontal Wipe effect, 196
HSL (hue, saturation and luminance)
group
making automatic color balance
adjustment on, 228–229
making automatic contrast adjust-
ment on, 227–228
vs. Curves group, 224
hue values
ChromaWheels adjustment of,
232–233
correcting, 221–222
I
Ignore Time, Deck Controls option, 350
image files, importing, 313–314
Import Settings dialog box, 314
IN points
audio gain automation and,
151–152
for capturing footage, 283,
287–288
logging clips and, 290
marking clips with, 30–32, 42–43
multiple audio transitions and, 139
overwriting shots and, 53–54
removing sequence material and, 61
repositioning, 43
for setting audio level/pan, 135
splicing shots and, 50–52
in three-point editing, 56
incoming handle, 100
Info tab, in Project window, 10–11
inputting material, 2
insert edit, digital cut, 347
Insufficient Source dialog box, 193
interface changes, trimming, 106
Internal (default) option, 294
J
J-K-L navigation
with clips, 41–42
for slipping/sliding, 120
trimming with, 115
Jog buttons. see Step (Jog) buttons
K
kerning text characters, 248–249
keyboard mapping
from Command palette, 165–167
Top/Tail commands and, 72–73
keyboard shortcuts
to access settings, 159
for marking clips, 42–43
for playing clips, 40–41
for slipping/sliding, 120
for special characters, 255
keyframes
adjusting audio gain with, 143–147
decreasing/deleting, 152
direct manipulation handles and,
199
effects and, 196–197
moving/copying and pasting attri-
butes, 198
practicing skills with, 200–201
selecting/adding/deleting, 197
standard, 196
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