Specifications

ptg
363
Index
ChromaWheels
adjusting hue/saturation values,
232–233
for manual color balance control,
227, 229
removing color casts, 231
circles, creating, 262
Clip/Auto/Live toggle button, 129
Clip Color display option, 172
Clip Frames display option, 171
Clip Name menu, 88–89
Clip Text display option, 172
clipped audio levels, 125
clips. see also audio clips
automatically linking with AMA, 302
cloning, 329
consolidating, 304–306
defined, 3
deleting from bins, 336–338
finding bin locations of, 95
identifying media relatives of,
334–335
J-K-L navigation with, 41–42
loading, 29–30
logging/batch capturing of,
289–292
making first edit and, 32–33
marking edit points in, 30–32,
42–43
master, 336–338, 341
media file relationship to, 4
moving/copying to new bins,
329–330
play/Step methods for, 40–41
playing/stopping/moving within, 30
RED media, 309–311
sifting, 323, 325–328
sorting, 322–324
Target bin for storing, 284–285
transition effects and, 185
cloning clips, 329
color
adjustment, 252–253
applying gradients to, 256–257
color balance adjustment, 228–229
color cast
removing, 221, 225, 228–229
semiautomatic removal, 231
color correction
adjusting chroma values,
221–222
automatic. see automatic color
correction
ensuring broadcast safe image, 222
overview, 219
practicing skills, 230, 233–234,
237
removing color casts, 221, 225,
228–229, 231
review questions, 237
selecting AutoCorrect options,
235–236
setting black/white values, 220
toolset. see Color Correction
toolset
Color Correction toolset
automatic controls, 225
function of, 177
interface components, 223–225
manual color balance controls, 227
manual luma controls, 226
manual with automatic controls,
226
Color Match controls, 231–232
Color Picker, Marquee, 252–253
columns
adding custom, 318–319
building custom, 18–19
sorting multiple, 324
combined AND/OR sift, 328
Command Palette
editing categories, 165
mapping buttons from, 165–167
Top and Tail functions, 72–73
using as active palette, 169
comments, typing of, 288
Composer window, 28
composites, vertical effects and,
182, 205, 210
[Connected deck] option, 294
Constrain movement vertically,
motion mode indicator, 82
Container, for gradient mapping, 258
Contains, search criterion, 325
contrast adjustment, 225, 227–228
copying clips, defined, 329
core workflow, 2
Correction Mode Settings dialog
box, 235–236
crash record edit, digital cut, 348
Create Subclips option, DV Scene
Extraction, 295
creating titles with Avid Marquee.
see Marquee title creation
Crop parameter, 210
Curves vs. HSL, 224
custom columns, 318–319
custom settings, 178–179
Custom Sift dialog box
sifting clips, 325
sifting multiple criteria, 326–328
Custom view
displaying bin in, 18–19
function of, 318
customizing settings. see settings,
customizing
D
Deck controls
Capture tool, 283
Digital Cut tool, 349
deck preparation, 348
Deck Selection menu, 286
delivery
file-based. see file-based delivery
of finished work. see outputting
sequences
tape-based. see tape-based
delivery
Description columns, 319
Dialogue/Keywords columns, 319
digital audio scrub, 45
Digital Cut Safe Mode, 350
Digital Cut tool, 348–351
digital cuts, recording
changing timecode format, 345
preparing sequences, 344–345
process of, 348–351
resampling audio sample rate,
346
types of cuts, 347–348
Dip to Color option, 186
direct manipulation handles
adjusting parameter values,
198–200
keyframes and, 199
Display/hide track sliders, 129
Dissolve option, 186
dissolves
audio crossfades with, 138–139
removing from Timeline, 139
visual, using transitions, 185–187
dragging
column headings, 319
overwriting a shot into sequence
by, 54–55
repositioning segments by, 78–79
splicing shots into sequence by,
51–52
text objects, 245
trim rollers, 108
drop-frame timecode format, 345
drop shadows
creating, 259
simulating colored glows, 260
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