Specifications
ptg
362
Index
audio tracks
deleting with Media tool,
338–340
enlarging/reducing, 45
importing, 314–315
mixing down, 352
monitoring levels, 125–127
P2 media and, 306–307
preparing to add/manipulate key-
frames, 143–144
setting capture parameters for,
283–284
setting level/pan for, 135
audio transitions, 138–139
Auto Black function, 229
Auto Detect option, 294
auto panning, 153
auto-save, 37
Auto White function, 229
AutoCorrect options, 235–236
automatic color correction
adjusting hue/saturation values,
232–233
benefits/drawbacks, 222–223
color balance adjustment on HSL
tab, 228–229
contrast adjustment on HSL tab,
227–228
determining color cast, 231–232
from Effect Palette, 235–236
functions, 225
manual controls with, 226
practicing skills, 230, 233–234
removing color casts, 231
autonesting, 215
AutoTitler
creating title template, 271–273
practicing skills with, 275
preparing text file, 273–274
running, 274–275
Avid Marquee, creating titles with.
see Marquee title creation
Avid Media Access (AMA) workflow
automatically linking clips with, 302
consolidating file-based media,
304–306
setting up, 301–302
using virtual volumes, 303–304
Avid Media Composer Advanced
Guide>File Based Media, 300
Avid project folder hierarchy, 3–4
B
B-side single-roller trim
dual-roller trim and, 107
editing with, 102–103
interface changes and, 106
performing, 112–113
Background Color display option, 173
basic audio editing. see audio edit-
ing, basic
basic editing techniques. see editing
techniques
batch capture, 289–292
Begins with, search criterion, 325
bin(s)
adding custom columns to,
318–319
in Brief view, 17–18
capture, 282–283
creating/naming new, 13–14
data, modifying, 320
defined, 3
deleting clips/media files from,
336–338
Fast menu, 17
finding, 95
in Frame view, 20–21
locking items in, 341
moving/copying clips to new,
329–330
moving into folders/Trash, 15
opening/closing in SuperBin,
12–13
opening from another project,
22–23
practicing skills, 23–26
removing from Trash, 16
saving, 37
saving effect templates in,
201–202
saving titles to, 266–267
in Script view, 22
selecting multiple clips in, 16
showing sifted/unsifted views,
329
Target, for storing clips, 284–285
in Text/Custom views, 18–19
using/opening/closing, 11
views, saving, 320–321
Bins tab, in Project window, 10–11
black filler, video, 113
black values, video, 220
blanking, 210
Blu-ray authoring workflow, 356
blue composite signal, 221
Both option, of DV Scene Extraction,
295
bounding box, 243–244
Brief view, 17–18
Bring to Front/Bring Forward
options, 263
Button to Button Reassignment,
165–167
C
Capture/Log Mode button, 283
Capture tool
function/features of, 177, 283
setting capture bin, 282–283
target bin for storing clips,
284–285
tracks to capture, 283–284
video/audio inputs, 284
Capture view, 318
capturing tape-based media
creating project/choosing format,
278–279
DV Scene Extraction, 295–296
on-the-fly, 288–289
logging and batch, 289–292
Media Creation settings, 279–280
from nontimecode source,
293–294
from IN to OUT, 287–288
overview, 277
review questions, 296
source deck or camera, 286
source tape name, 286–287
Targ et bin for stor ing cli ps,
284–285
target drives for storage,
285–286
typing clip name/comments while,
288
video resolution, 285
working with audio settings,
281–282
working with Capture tool,
282–287
categories
Command Palette, 165
containing segment effects, 195
containing transition effects, 189
containing vertical effects,
205–206
Effect Palette, 183
Center Duration box, 90
Change Sample Rate dialog box, 346
Channels recording, 349
Character Map (Windows), 254
Character Palette (Macintosh), 254
Choose Columns menu, 18–19, 24
chroma values, 221–222, 225
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