Specifications

ptg
117
Additional Methods for Adding and Removing Frames
9. When you’re satisfied with your edit, click in the timecode track to
return to Source/Record mode.
10. Continue to play through the sequence, transition by transition, and
trim each edit as necessary using single-roller trim.
For the sake of practice, let’s do one more, and then you can do the
rest on your own.
11. Wiley’s line, “There’s not a timid bone in her body,” is cut off on the
A-side. Also, George Sr.’s line, “She certainly took to driving in no time,”
is cut off on the B-side.
Therefore, you need to add frames by extending the A-side, and you
likewise need to add frames by extending the B-side. Just take it step-
by-step and edit one at a time.
12. Lasso the transition through tracks V1, A1, and A2 to enter Trim mode.
13. Play the loop around the transition to try to get an idea of exactly how
you’d like to fix it.
14. Click the A-side monitor to enter A-side single-roller trim.
15. Trim to the right (later) to add frames until you get to the end of Wiley’s
line. Again, use any trim method that you prefer.
16. Play the loop around the transition to make sure that you like the edit
on the A-side.
17. Now, click the B-side to enter B-side single-roller trim.
18. Trim to the left (earlier) to add frames until you get to the beginning of
George Sr.’s line.
19. Loop the playback around the transition to make sure you like the edit.
Both the A-side and the B-side should flow perfectly. (Make sure to
use the script to check the dialogue.)
20. Finish playing through the sequence, transition by transition, and trim
each edit as necessary, using single-roller trim.
21. When you’re finished, play the entire sequence and check it against the
script. At every single transition, ask yourself the following:
 Does this edit work?
 If not, which side needs tightening or lengthening?
 Does the A-side need to end sooner or later than it does?
 Does the B-side need to begin sooner or later than it does?
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